Western facade at entry. Photo by Akiko Takeyama
Built on a surge of adrenaline in modern architecture, the Case Study program houses constructed in the Los Angeles area from the 1940s to the 1960s were a unique experiment in postwar America.
Conceived by Arts & Architecture magazine editor John Entenza, the program implored modern architects to explore mass production in housing. Assembled on slabs of concrete and often using prefab components to reduce costs, these flat-roofed, post-and-beam structures challenged preconceived notions of residential building design and engineering. Despite their relatively low cost and seductive appeal, however, only 25 were actually built — they never really resonated with the general public.
In retrospect, the Case Study program represents not only a high point in modern architecture but also a utopic vision of America, where people of modest means could afford to live in houses that were essentially signature artistic creations of (now famous) architects.
The Stahl House epitomized this vision. Designed by architect Pierre Koenig in 1959, C.H.S. No. 22 is a masterpiece of modernism, one that has become so iconic it’s easy to overlook the fact that it was built for a family of four with limited resources. (C.H. “Buck” Stahl, the original owner, was a graphic designer and sign painter who at times struggled to keep up with the bank payments.) The idea that a middle class family could even imagine living in such a work of modern art — on such a spectacular site no less — and continue to own and preserve it today, is a great defense of the American Dream, such that it exists.
Gazing out the living room at the Hollywood Hills and the Pacific. Photo by Akiko Takeyama
My wife and I recently had the opportunity to tour the Stahl House on a trip to Los Angeles. More than any other house I’ve visited, it left me in a state of wonder that lingered long after I set foot on the property. Of course much of it has to do with the magnificent views, which sweep from the ocean to the mountains, but also the elegant way in which Keonig’s design melds with the grid-like pattern of the cityscape below. It fits the picture. The huge glass windows bring this copper-toned spectacle into full view by day; by night the lights of L.A. itself become a sparkling Tiffany window.
Looking west from living room at sunset.
There is something undeniably transcendent about being in this space, floating above the city: it’s powerful, sexy. Though I wonder if that joy might fade after a while, and the stunning view becomes taken for granted. It happens. And the house itself is not without issues. By today’s standards the kitchen and bathrooms are too small, the living room lacks privacy, and the house is after all perched on the edge of a steep cliff in an earthquake-prone city. No house is perfect, right? Nah, I must be having a nightmare. Because the thought of living in this cinematic masterpiece, where every moment feels like Kubrickian a slo-mo rush on the senses, even nightmares would be the stuff of dreams.
If you plan to visit L.A., the Stahl House is available for touring through their website. Highly recommended!
—Bill
Akiko Takeyama gazes out on the city of Los Angeles.
Western facade.
Lawrence Modern home 