Painting this old midcentury house

Photos: Bill Steele

Like death and taxes, painting your house is another one of those things in life that eventually comes calling. According to a cursory search on the internet, most homeowners can expect to repaint their house every 10 to 15 years, depending on the type of siding they have and other factors. Which sounds a lot like the advice you get from plumbers who say you need to replace your water heater tank every 10 to 15 years, doesn’t it? But anyway, whether you live in a house that’s sealed in a vacuum or ravaged by the elements, the exterior will eventually need repainting.

In our case the inevitable became increasingly unavoidable about four or five years ago, when I started to notice the telltale signs around our house: paint fading, cracking, peeling, bubbling; paint flaking away on window frames and sills, exposing dry-rotted wood; rotting wood along the bottom of cedar boards and cedar shingles; warped cedar siding. The deterioration was especially noticeable on the eastern facade, which endures a merciless pounding from the sun all summer long. Things were starting to look bad.

Despite the worsening situation, I held off repainting the house until this year because 1) I’m a drive-it-’till-the-wheels-come-off cheapskate, and 2) I absolutely dreaded the prospect of having to deal with the mess and hassle of repainting. (I have some very un-nostalgic memories of helping my stepfather remove layers of oil-based paint—undoubtably lead-filled—from the house I grew up in Maine during my 6th grade summer vacation.) While I considered hiring a crew of local college kids who would parachute in and likely knock out the job in a week or less, my wife and I decided it would be wise to take a more historically sensitive approach by hiring a contractor who specializes in painting historic houses.

Historic you say? We live in a midcentury house, built in 1955, that is described by our insurance company as a “tri-level ranch”—hardly “historic,” right? This dismissive categorization is out of date and culturally tone deaf, however. Some midcentury houses are approaching 100 years old and are increasingly being added to local, state and national historic registers. And despite their modest footprint many have soared in value, even ones that were not designed by modern architects. They should be treated with historic preservation in mind, i.e., with the same kind of respect and attention that is lavished on the Victorian mansions of Old West Lawrence (OWL). That is, if you can afford it.

And as you will see, it is affordable if you are willing to get your hands a bit dirty. But more on that later.

Last summer, upon a referral, we sought out the services of Rob Lacey, a lanky and dexterous 50-something who for 25 years has ensured the exterior (and interior) preservation of many OWL dwellings. After two on-site consultations, Rob provided a basic services proposal using Benjamin Moore Ultra Spec flat or satin paint for $9,480. (If we wanted to change the original color it would cost an additional $4,250.) This fit within our budget, which I estimated would land somewhere between ten to fifteen grand. As part of the deal, Rob agreed to discount the price when I offered to prep the front door for painting, handle storm window removal and reinstallation, and also clean all the windows.

The only thing left to decide was the paint color and finish type. This led to some debate as we considered the economics, aesthetics, and environmental impact of our choice. Dark paint absorbs heat, which is a problem for our poorly insulated house. I calculated, however, that the heat gain in summer was offset by heat loss in winter, practically negating each other. We decided to keep the same dark brown color the house had when we bought it in 2007, and as we later found, hadn’t changed over the years. Meanwhile, Rob convinced us to go with a flat finish for the body and satin for the trim after proving in a demo that satin would dramatically highlight the imperfections of our cedar siding, akin to applying oily makeup on acne.

Rob scheduled us for August 2022—his earliest available date—but when a client ahead of us postponed their plans we suddenly jumped to the head of the line. Rob and his crew, Daniel and Tony, arrived on site in mid-May to start work.

Daniel and Rob scraping away old paint

As in most house painting jobs, the majority of effort is spent in preparation, and ours was no exception. Two-thirds of the three-week job was spent on prep work. The first order of business was a top-down power wash of the whole building, followed by laborious scraping of peeling areas. This action revealed that we had more rotted wood around the house than I had previously thought. The equivalent of two gallons of Bondo and more, as it turned out.

“This is going to involve quite a bit more work,” Rob said, climbing down his ladder to inspect the latest rotted wood discovery.

Soon enough, restoring and repairing these decayed areas became a subordinate project that lasted nearly a month, longer than the main project. As often happens, the full scope of the project is not known until you dig in, and cost estimates (which tend to be overly optimistic) butt up against reality. Still, despite a 25 percent increase in estimated labor and material costs, the project stayed within our original budget. And in the long run, doing it the right way was well worth the added expense. Tony, who filled the house’s cavities with the precision of a highly accomplished cosmetic dentist, not only preserved the architectural integrity of the structure but actually improved on it.

Another major issue was the condition of the cedar shingles, many of which needed to be replaced because of warpage, shrinkage, and rot. This was not factored into the scope of the project at the outset. A costly error on my part; in the past year or so the cost of cedar shingles has tripled in price, and the right material has become difficult to source. I spent a week looking online, calling lumberyards in Lawrence and Kansas City, and visiting places like Midway Wholesale and Menards looking for the single course siding that matched ours at a reasonable price. When I finally found what I was looking for, in Topeka, I was nevertheless shocked at the price: nearly $350 for a six-pound, 20″x18″x18″ box of shingles. But far worse than the cost was the knuckle-breaking labor required to replace each one, a job which I took on to keep costs from spiraling out of control. Rob helped remove some shingles and prime new replacements early on, but when it was all said and done I ended up replacing about 40 shingles myself.

I was fortunate in that Rob was very accommodating and open to having me participate in the project. “I actually prefer having the homeowner get involved,” Rob told me. “It allows me to more easily get to other jobs I’m working on, and they [the homeowner(s)] get to appreciate what’s being done to the house.” Some contractors may not welcome homeowner involvement, however, so it is a good idea to discuss it with them before they show up to start work on your house. If you have the time and inclination, though, it is worth the effort. You will save some money, acquire new skills, and importantly, learn more about your house than you thought you knew.

For example, while removing the storm windows, I noticed something I hadn’t noticed before about the large window in our basement mechanical room, where we keep our washer and dryer. To my surprise, it was an awning type that swung out but had been frozen solid by layers of old paint. It also included a screen window but the screen had been carefully cut out of the frame. Voila, after restoring all this we had fresh ventilation in a space that is usually damp and musty. Another thing I discovered, while in house restoration mode, was that one of our heating and air conditioning return air vents was not working in our kitchen area, lowering the efficiency of our HVAC system. Upon inspection I discovered that someone, years ago, had stuffed the vent’s throat with fiberglass insulation. The only way to pull it out was to remove a section of exterior cedar siding to gain access. A very messy job, but since we were repainting the house anyway the timing was perfect.

Aside from the cedar siding, by far the most labor-intensive aspect of the project was the windows. Including every single painted window in the house and garage, I counted a total of 383 that Rob and his crew were responsible for. (This does not include the storm windows.) Almost all of them are framed by wood, and many needed to be reglazed and carefully prepped for repainting. The work required was painstaking and meticulous. And this is where I tie back to my earlier contention that midcentury houses should be treated as historic houses, because it is in the window detailing in particular that you often find the distinction and greatest need for preservation. How many midcentury modern houses have we seen that have been seriously marred by retrofitting the original windows with vinyl replacements that frankly don’t merit either the cost or energy savings? Too many.

Overall, we are extremely happy with the project results. Rob and his crew were very thorough, they completed their work on schedule, and (despite some unforeseen additional costs) he billed close to the original estimate. Most importantly, the quality of the workmanship is outstanding. Everything was done by hand the hard way—the right way—and it shows. The facelift has restored the house’s youthful glow. Rob has advised that since most of our house is well-shaded, we should only need to repaint the front facade about every 8 years. The rest of the house will last much longer. This should save us a lot of money over the long haul.


Here’s the breakdown of project costs:

LaborLacey’s Painting & Restoration8,857.00
Extra laborWood replacement, restoration & repair2,826.25
PaintSherwin-Williams Super Paint & Resilience* 359.65
Cedar shinglesMcCray Lumber327.45
Primer (5 gal. bucket)Menards*164.00
Extra materialsBondo, hardener, brick mold*152.44
Sandpaper, putty, calkSherwin-Williams store101.35
Window glass Cottins Hardware65.58
Box nails, screwsWestlake Hardware/Home Depot43.39
WeatherstripCottins Hardware26.19
Window screen repairCottins Hardware26.11
Window reattachmentOwner labor-775.00
*Contractor supplied. Note that Sherwin-Williams figures are not retail. Contractors get discounted prices.

Key stats:

  • 1,720 sq. ft. midcentury house with attached garage
  • Year built: 1955
  • Previously painted in 2003
  • 419 windows (all-inclusive)
  • 36 storm windows
  • 22 double-hung windows
  • 8 gallons of Sherwin-Williams Super Paint Exterior Acrylic Latex (Flat) – body
  • 1 gallon of Sherwin-Williams Resilience Exterior Acrylic Latex (Satin) – trim
  • 1 gallon of Sherwin-Williams Resilience Exterior Acrylic Latex (Satin) – 3 doors
  • 1 quart of Sherwin-Williams Resilience Exterior Acrylic Latex (Satin) – front door
  • 4+ gallons of Zinsser Peel Stop, Triple Thick primer
  • Project duration: May 17-June 17, a few workdays interrupted by rain
  • Total project cost: $12,174.41

Some advice & lessons learned:

  • Choose a reputable paint contractor, preferably someone who works on midcentury houses. “Some contractors who work on newer houses don’t know what they are doing, or cut corners,” Rob says. “I’ve seen plenty of houses where the painter didn’t prepare thoroughly enough and sprayed it, and when you get up close to it, it just doesn’t look right.”
  • Calk and seal all gaps, cracks, nail holes, etc. Rob says this is extremely important in our climate.
  • Make sure you backbrush if you spray paint the house. “A lot of contractors spray siding without backbrushing,” Rob said. Backbrushing essentially means brushing over freshly sprayed paint, getting into the gaps and crevices that are oftentimes missed by spraying.
  • Make sure you wear the proper protective gear if you plan on painting the house yourself. Tony wore a special chemical respirator when he worked with Bondo, for example.
  • Book well in advance. The best painters are in high demand.
  • Be flexible, and ready to go when the painter calls.
  • Be open to the painter’s suggestions. At the outset I was dead set on a satin sheen for the body paint. I’m glad I took the painter’s advice.
  • Don’t get too hung up on brands or so-called superior paints. “I had one customer who insisted on going with Benjamin Moore’s top-of-the-line paint, which I did, but when I went back to look at it after a number of years it was performing about the same as their midline product,” Rob said.
  • Don’t assume you can get a quote over the phone or the internet. “There’s so many variables with painting,” Rob says. “Some [houses] require not much prep at all, and some require one to two weeks of prep work, which is pretty common for midcentury houses.”
  • Have a contingency budget. A good rule of thumb is to budget an extra 15-20% over and above the project estimate cost.
  • Prepare to make a lot of runs to the hardware store.
  • Make plenty of space in your garage for the contractor to store tools, paint, and materials.
  • Don’t cheap out on paint brushes. They do make a difference.
  • Rob’s final advice: “Often in painting an older home you get what you pay for.”

A constructivist appreciation

On May 1st, Lawrence Modern gathered for its first event in nearly three years at the former Zimmerman Steel building in east Lawrence. A veritable Sunday buffet of architecture cogniscenti were guest speakers, including the Lawrence Preservation Alliance’s Dennis Brown, architect Stan Hernly, our own Tom Harper and Dennis Domer, as well as the principals from Mar Lan Construction, who seized an opportunity to buy the property a few years ago, promptly fell in love with it, and went through a lengthy and painstaking process of refurbishing this vital piece of Lawrence industrial history. What started out as a hardware store with a steel fabrication shop on Mass. St. after WWII continues to serve the Lawrence construction community, and thanks to Hernly is now on the historic registers as a significant example of midcentury modernism.

The interesting thing about the Zimmerman Steel building is that it appeals equally to the left and right brain: to the Mar Lan construction team, the building is an attractive and functional workspace; in the eyes of experts like Hernley and Domer, an unadorned manufacturing facility with a folded plate (aka, “zig zag”) roof. Hernly said the aesthetic is defined by utilitarian parts and pieces of steel and metal, akin to Russian constructivist architecture. Domer said when he looks at the Zimmerman Steel building he thinks of automobile dealerships from the 50s and 60s, and when he looks at the zig zag roof he sees a 1958 Dodge with big tail fins. “The beauty is the design of the building, but the structural pieces are what make it beautiful,” Domer said. Praising Mar Lan’s renovation effort, he summed up the proceedings: “You really understood what you had, and now you’ve preserved it for another generation. The next generation is going to adore this place, if not already, like we do.”

Zig Zag love May 1st

Chris Millspaugh

For our first event in more than two years, we are excited to offer fans of midcentury modern industrial style buildings—count us among them—the opportunity to tour one of the most noteworthy examples in Lawrence, the Zimmerman Steel building, now owned by Mar Lan Construction. Built in 1959 (an office designed by the local architecture firm of Robertson & Ericson was added in 1963), for decades the building’s corrugated metal siding and zig-zag roof design clearly communicated its intent: custom steel fabrication. The only one of its type in the immediate area, Zimmerman Steel in many ways resembled a German mittelstand, a small family-owned business that occupied a niche market in manufacturing. “[Owner] Lee Zimmerman didn’t do gigantic steel fabrication jobs, he would pick up the small pieces,” said Mar Lan Construction’s Kevin Markley. “He did tons, just miles and miles and miles of handrails and guide rails, bollards, trash gates and things like that, and sometimes he would fabricate all of the steel.” Some of the most significant buildings the company provided material for included the Hallmark production facility; the expansion of Kansas University Memorial Stadium; the new Frasier Hall on the KU campus; the rebuilding of the Kansas Student Union; the Varsity Theater; and the old Lawrence Public Library.

Mar Lan Construction purchased the property in 2019 and spent a year carefully refurbishing the exterior, remodeling the interior office, and significantly upgrading the landscaping. They have done a fantastic job of preserving the building’s architectural integrity, feel, and history. In 2020 architect Stan Hernly of Hernly and Associates spearheaded a move to add the Zimmerman Steel building to the National Register of Historic Buildings, noting that it “expresses important design principles of modern architecture through its use of distinctive design, form, and construction techniques.” The building was added to the Register as locally significant in April 2021.

Join us on May 1st to see and learn more about the preservation of this historic modern building. Presentation by Mar Lan’s Kevin Markley (principal and vice president of marketing) and Stan Hernly. Architectural context and expert appreciation from our own Dennis Domer, fresh back from his winter haven in Arizona.

Don’t miss this special architectural experience!

Modern meets the levee on May 11

Lawrence Modern Open Houses May 2019

Tim Hossler

The fusion of vernacular and modern is not unique to Lawrence but so many interesting examples abound here—Dan Rockhill’s contemporary prairie designs come to mind—that they have become a kind of regional architectural dialect. Nowhere is this more evident than in North Lawrence, where cues from the surrounding landscape and architecture—broad, flat floodplain with grain elevators and chicken coops—have been applied to a cluster of homes near the Kaw River levee. The resulting small farm industrial look is interesting architecturally and geographically, if only because it’s hard to imagine these structures belonging anywhere else. Many of them have been design-built by Scott Trettel, including the first home on our tour (226 N. 6th Street) owned by Becky Harpstrite. A modern take on the so-called “dogtrot” style common in the south, the house has two separate living areas connected by a glass-enclosed breezeway. It also features the traditional Japanese Shou Sugi Ban treatment on the exterior siding, where the wood has been charred with blowtorches to achieve a rustic look. The result is stunningly beautiful.

The second home on the itinerary, located at 718 Ash Street, fuses shed-roof modernism with a native Rockhillian feel. (Indeed, owners Steve and April Evans owned Rockhill’s “Kansas Longhouse” for six years before moving into town.) The house is a design collaboration between Steve, a retired architect, architect Dan Hermreck, and builder Kenn Peters, who together have created a house responsive to the long and narrow site with views toward the levee. A house that is modern architecturally, but vernacular in nature.

We look forward to sharing these special homes with you in North Lawrence. Please tread lightly because it is a residential neighborhood and the streets are narrow. Parking will be challenging. Please carpool, or park near the parks. Do not park on Walnut or Ash Streets. Consider walking from 226 N. 6th St. to 718 Ash St., it is only a few blocks away.

Tom Harper, Tim Hossler, Dennis Domer & Bill Steele


All Aboard for Depot celebration!


Tim Hossler

The extensive renovation of the Santa Fe Depot is completed. It is one of the greatest midcentury preservation efforts in the State of Kansas and arguably the most significant in Lawrence history.

The Depot was designed by Warren Corman and Warren Jones and completed in 1956. Preservation efforts have drawn a diverse group of activists with various interests, yet everyone shared a common goal to preserve the train station after years of neglect.

Lawrence Modern has been involved since the beginning when Depot Redux, the non-profit advocacy group led by Carey Maynard-Moody, was formed nine years ago. Depot Redux has worked diligently with numerous city commissions, two city managers, the Historic Resource Commission, Burlington Northern Santa Fe Railway and Amtrak for the City to transfer ownership of the building. This enabled the City to submit the nomination written by our own Dennis Domer for the depot to be listed on the National, Kansas and Lawrence Historic Registers, which in turn facilitated a Transportation Enhancement grant administered by the Kansas Department of Transportation and matching monies from the City to fund the extensive renovation.

On February 22nd you will find that the building looks very similar to what it looked like in 1956. What you won’t see is the new geothermal HVAC, new electrical, plumbing and new roof. There is new aluminum fascia wrapped around the various roof elevations and fresh paint. The bathrooms, entrances, walkways, and platform now meet American with Disabilities (ADA) guidelines. The original (but still operable) windows have interior storm windows and screens that blend seamlessly with the north and south window walls.

First Management Construction was in charge of the renovation and Stan Hernly of Hernly Associates Inc. was the architect who made sure the renovation adhered to the historic guidelines.

Assistant City Manager Diane Stoddard provided the leadership and determination for the Depot ownership to be transferred to the City. Without Diane’s persistence, the Depot would still be owned by Burlington Northern Santa Fe and falling into a worsening state of disrepair.

We are happy and grateful to all of the citizens of Lawrence who were involved with this successful preservation effort and look forward to celebrating the refurbished Depot with you.

Link to the nomination for the National & State Historic Register:

– Tom, Dennis, Tim & Bill

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